Showing posts with label meta. Show all posts
Showing posts with label meta. Show all posts

Tuesday, February 25, 2014

The Lego Movie is Awesome

Hey guys, I enjoyed The Lego Movie this past weekend for plenty of reasons. I hope you found many as well.

Because I work at Legoland California, I was familiar with the sets and movie characters before knowing the story. I had wondered if the movie would feel weird from my familiarity with Lego pieces and working in a Lego gift shop. This question would apply even more to Lego fans though. Instead of feeling weird, I laughed even more from recognizing Lego pieces, their multiple uses, and their limitations. If you are a Mystery Minifigures collector, then you will enjoy appearances from different series.

If you have a chance to visit Legoland California, then check out the special exhibit called The Lego Movie Experience with Lego model scenes from the movie including the dad's workspace. The opening was Feb. 20, but the exhibit is available for a year. The location is next to Studio Store on the left side of the park.

The Lego Movie Experience at Legoland California

The Lego Movie had some humor similar to Muppet humor. It is not so much the literal vs. figurative meaning of words. I have not been able to label it yet. I do not want to list examples of this humor either so you can enjoy the moment. I also cracked-up over the sound effects and use of Lego pieces for special effects such as explosions.
An explosion example of a special effect with Lego pieces.

Those of you who have read my other blog posts know I love Meta and dystopias. Well, The Lego Movie has both aspects! :D

Two of my favorite characters are Metalbeard and Benny the 80s spaceman. Since I saw the Lego set Metalbeard's Duel, I thought Metalbeard looked cool with his many unique pieces. My friends and coworkers know very well that I like puns and cheesy corny jokes. Yesterday at work, I kept pointing out the chest pun in Metalbeard. He is great to watch and hear on the screen.

Metalbeard

I wish this "Spaceship!" tee had Benny's whole body.
My family knows I am drawn to funny-voiced characters such as King Candy in Wreck-It Ralph and Shrek the Final Chapter. This fact is one reason why spaceman Benny is a favorite character of mine. Thanks voice actor Charlie Day! ;)

The main reason I like Benny has to do with his attempts to build a spaceship. I will keep an eye out for a good shirt with Benny. By the way, he is based off of the Lego figure Blue Classic Spaceman.
Rumpelstiltskin in

There are more things I enjoyed and laughed over, but one last aspect I'll say is that the story's messages are awesome. :) I recommend watching it. If you have already, who was your favorite character?

Tuesday, February 14, 2012

Done with Poison

This cover shows the long nose bridge
just as described in the book.
I finished Poison by Chris Wooding.

The story is about a girl named Poison who feels alienated in her town even within her family, which now includes a new mother. Her baby sister, Azalea, is one of only two people that Poison is comfortable around. Therefore, when Azalea is kidnapped by the Phaerie Lord, Poison musters courage to leave her home and find Azalea. The result is an enlightening adventure that changes her perspective of the world and her life.

Once I finished the story, I felt satisfaction and uplifted because Poison found her place. =)


WARNING: There are big spoilers towards the end of this post. I will warn you again right before that part.




Throughout the book, the narrator sets up questions for the reader such as:
  • Why was Posion's sister taken away?
  • What is the significance of the spider Lady's dagger and does it wield a power?
  • Who is the Hypotroth?
  • How will Poison's story end?
Each answer carries weight in the story.

There were some elements that I have seen before, which happens more as you read more, but the experience did not feel repeated. Now that I think about it, Wooding may have used classic Fantasy elements on purpose. After all, Poison noticed how fairy tales strongly related to her adventure and for a reason!

I agree, Ron.
One of those elements was a giant spider like in
The Incredible Shrinking Man 
(Sci-fi not Fantasy), The Lord of the Rings, and Harry Potter. Outsmarting the spider was still suspenseful with some fun. Poison dreaded the Lady of the spider realm more than the spiders. My only repeated experience was that I was grossed out by a giant spider.






When Poison researches the scarecrow, I remembered Pennywise (from Stephen King's IT) in an album. I reread that particular scene for thrills, but by the next two chapters I forgot the scene. Wooding wisely reminds the reader of it during the scarecrow's reappearance.

As I said before, Katniss' attitude in The Hunger Games reminded of Poison, especially when describing their homes. I felt that Poison was for a younger age range than The Hunger Games until the story took a meta twist. =) Middle schoolers will be spellbound by the concept of meta-fiction and even adults will find it intriguing. As a quick definition, metafiction is a story within a story. A new definition I heard is fiction on the process of fiction because it is a story that covers storywriting. I won't say more. Wooding explained it for you in the story.

One problem I had with the book was that some lines sounded too fantastical. I had to reread them to grasp the action and meaning plus those lines were not necessary. When Poison traveled to new places, I ignored these fantastical lines after the first attempt. Sometimes a writer feels pressured to have clever lines, but the words need to flow with the rest. Otherwise readers lose their trance. Newsweek writer Elmore Leonard has stated, "If it sounds like writing I rewrite it."


The rest of this post mentions big spoilers because the scene discussed is close to the story's end. I will not list all details though.


The day after I finished reading Poison, I remembered a scene that struck me as odd for a hero, especially for young audiences. Throughout Poison's journey, she bluffs and taunts threats. With Aelthar, she tried to tone down her attitude, realizing that it can hurt her chances. But when she was stabbed, Poison did not watch her attitude. Had she not learned? Her life was threatened the most at this moment.  Even if she had felt almighty about her new role, Poison should know that her life was still at risk. She saw what happened to Melcheron.

I questioned if Poison should be considered suicidal at this point because she provoked her stabber to strike again, "'Finish it. The last laugh will be mine.'" I understood she was helpless in this moment and hurt badly, but shouldn't she at least want to live now? She had wanted to die before, but her role is different from that point.

I did enjoy the adventure though. And after the last line, I turned the page to a blank one and felt as if I had just experienced magic because the story actually ended at that line. Haha.

What did you think of Poison? How about that odd moment I mentioned?

Friday, August 26, 2011

1984 in Monk show

I finished Nineteen Eighty-Four by George Orwell today. Like I said before, the book is a slow read, otherwise you're not actually reading the whole book. The slowest pace is when the character Winston reads the book inside the story (that's meta!), but then the pace quickens and hooks you until you finish the story.

My coincidental reward for finishing Nineteen Eighty-Four today was understanding the allusion in the Monk episode I happened to watch later. From memory the line was, "I just want 2 plus 2 to equal 4 again." I gasped, giggled, and wanted to give a high-five to somebody! Thank you for the reward. =)

At this point I started thinking of Nineteen Eighty-Four.
The episode was "Mr. Monk Goes to the Asylum" in season 1, and the allusion is given when the criminal is caught.

Wednesday, July 13, 2011

Finished The Hunger Games

I finished the first book of The Hunger Games last week.  It has a dystopic setting, but the story's told as an action adventure. I recommend the book for both readers and writers. =)

In my second story-writing class, I needed more conflicts for the character. The Hunger Games constantly has conflict, which keeps the story going and gives the character Katniss many decisions to make. The book is now an example for me.

I started reading one chapter at a time until some point in the game. I was then reading three chapters at a time. One day as I cleaned my room, I read a section after each time I put something away. I read even before an interview.

When I had three chapters left, I rationed them again. Willy Wonka's reaction to Augustus Gloop's situation is a great way to describe the thrill of reading The Hunger Games:
"The suspense is terrible. I hope it'll last." 
(The line is originally from 30,000 Leagues Under the Sea).

Here's an interesting passage from chapter 13 (Small SPOILER):
Where are the Gamermakers driving me? ...To a whole new terrain filled with new dangers? I had just found a few hours of peace at the pond when this attack happened. ...The wall of fire must have an end and it won't burn indefinitely.  Not because the Gamemakers couldn't keep it fueled but because, again, that would invite accusations of boredom from the audience.
Think of a Gamermaker as a writer and the audience as the story's actual audience (Meta!). Katniss is then questioning the writer's direction. Readers would have been bored if Katniss got to rest a whole day at this moment. They want the story to keep moving.

She's also alone at that moment so just like the Gamemakers, both writer and reader want her to interact with the other characters.  We feel sorry for her pain but back to danger and love! I'm curious if the author, Suzanne Collins, intended to draw attention to the reader's self by mentioning an audience. How much pain and drama did you wish upon Katniss and Peeta?

The quoted section also shows writers that they drive their characters into an adventure. Give them opportunities to make decisions and grow. Character growth gives your readers more than suspense and entertainment.

In addition, writers have to push their characters around to view more of the setting and society. Like pushing a cameraman around.  You push to capture more, but the character or narrator is the one recording details.

How was the suspense for you?

Wednesday, June 1, 2011

Abed videos

I mention the show Community and the character Abed, played by Danny Pudi, a few times so I wanted to share some videos I just found.

The first one is deep and meta with viewer becoming character: 
There are a few episodes I missed and this was one of them. After watching the scene, I want to see the rest of the episode.


Apparently, the character Abed does appear in the show Cougar Town, but as himself.


The last video is full of bloopers. It shows the funny and geeky pair Abed and Troy, played by Donald Glover.  Together they are cool geeks though. :)
I am also a fan of Batman so I enjoyed the video even more.

Do you watch Community? =)

Saturday, January 29, 2011

began reading The Unwritten

In my post "Meta," I mentioned an interest in the comic book/graphic novel series called The Unwritten by Mike Carey. I've read vol 1 and am still interested.  There was a lot to like.


The introduction is by Bill Willingham, who wrote the comic series Fables. He talks about comics since the golden age of superheroes.  Then he describes a new type of comic, literary comics. I like comics like Hush and Superman/Batman with my favorite superhero, Batman, but I felt like Willingham addressed craving for literary. So I'm happy to hear about this new wave of comics. The introduction was a good note to start with.


The comic itself parodies Harry Potter and even states the similarity in a comic con scene. haha. There are depictions of fans from causal fan to online debater to the obsessed and delusional. Along with the commentary on fans, the main character stumbles upon a horror writers workshop where each contemporary type critiques the other. I laughed at and admired this setup.  There are also allusions to existing writers and a side story depicting Rudyard Kipling's career as a writer. This comic is packed with literary and commentary.


The main element is the boundary between fantasy and reality. The comic is certainly meta (metanarrative and metafiction I think).  There is a note stating that the author, Carey, had wanted to use prose format somehow with a book actually inside of another book to understand the boundary being crossed.


All these aspects I enjoyed in vol 1.  Before I reached the Kipling side story at the end, I had satisfied my crave for literary.  My taste buds for had a taste of many flavors. So by the time I finished the book, I felt I had just been through a workshop or had enrolled in a genre/author class.  I had gained more than I had craved. And this satisfaction was just from vol 1.


I recommend The Unwritten and hope you get a kick out it too.

Monday, December 27, 2010

Meta

I've heard little about meta-narrative and meta-fiction before, but I did not understand the concepts. Then I had a week of great literature talks with three other English majors this past Fall.  I kept running into them that week, which I'm grateful for.  Meta was one of the talks (not metaphysical poetry).  

At this point, I had seen an episode of Community where the character Abed makes a meta-film. He states how he'll make a film about a film-maker who realizes his life is a film, whose film-maker will realize his life is a film too, and so on and so on. So I understood that a meta-art form worked beyond its boundaries or was layered with one form inside of another form. A film within a film. However, metanarrative is specifically a story within a story.  Metanarrative seems to also have a philosophical approach towards truth. Sounds like the inner story is the material analyzed in the outer story, which the reader himself can analyze too. I'm still trying to understand metanarrative. I know that the novel City of Glass is a example of metanarrative. I read the comicbook/graphic novel version in a class, but I have to read the story a second time.

My friends' description of meta sounded like when the story "breaks down the fourth wall," goes beyond its boundaries, and speaks directly to the reader about its form.  Soo I now see a meta-art form as being conscious of itself and commenting on the form.  Going with Community again, the character Abed makes the show meta. He comments on what the episode is parodying.  He even once stated how his commentary is his gimmick as a character.  This aspect of the show is one reason why I watch Community.  My friends helped name and define one of my interests.

This week I got my sister to watch one of my childhood movies, The Neverending Story, which I had a feeling was Meta.  (SPOILER ALERT)  The movie has a metanarrative because it's a story within a story, following a boy reading a book of the same title.  The experience explored is the connection between the reader and protagonist.  A reader follows the protagonist's journey, feeling and suffering with him.  That's why Atreyu saw Bastion in the mirror.  Also think about this: Atreyu's journey depended on Bastion's determination to continue reading the story.  Bastion is the one continuing and pushing the story.  

You can compare this movie to The Princess Bride with the boy's interest in continuing the story, but the only influence he had was whether the audience of the movie would see more the story.  The characters do comment a little on the inner story though like with the expectation of a hero vanquishing the villain.  I would like to have a metanarrative with the protagonist knowing that he lets the reader see the inner story.

Back to The Neverending Story with my sister and I as the audience,  I kept mentioning a wolf scene so when the part came, she seemed disappointed that it was mostly talk.  I'm glad she continued to watch the movie though.  It is mostly talk and shots of Bastion reading, but I like the metanarrative.  I also love the Swamp of Sadness. If you let sadness overtake you, then you will sink. So basically you give up in this journey that needs determined heroes/readers to continue the story. I read somewhere that there was a book before the movie and I found out that the movie only covers half the story.  I'm adding the book to my list to see more of the metanarrative commentary. The second half of the book seems to be the movie sequel but the book ends differently.

Another book on my list is a comic/graphic novel called Unwritten. I've only read a few pages so far but I like what I've read that the story's about.  It covers fanatic fandom for a series that's like Harry Potter. I am interested in fandom.  How a story impacts a fan greatly, the arguments among fans of different stories, and the harm of escapism when not accepting reality. Unwritten also seems to be meta with the boundaries of story and reality, but I think the commentary is more on the fans.  The series is three volumes, with the third one coming out in March.

Maybe I'll have another entry about Meta or at least about Unwritten when I've read more of it.