Love Me, Stalk Me

When I read The Merchant's Daughter (2011), I told my sister, "I like that this book shows stalkers as bad." She replied, "Stalkers are bad." I clarified that my point was that the book portrays them that way.

Why do some love stories (even in genres other than Romance) depict stalking as flattering and romantic? A 1st person perspective narrator can show other characters to the reader by stalking them, but even detectives face trouble for doing so. Stalking is a wrong kind of attention. A pet peeve of mine is when the fictional love interest has no social life, job, or actitivies so he can attend to the main character 24/7 and rescue if necessary. That love interest usually stalks.

By the way, The Merchant's Daughter is a spiritual retelling of Beauty and the Beast. The author Melanie Dickerson explored appearances as well as love vs. lust (with stalking). Some lines were repetitive and some problems disappeared at the end, but I still liked the book. The setup is more like Jane Eyre in terms of servant and Lord.

A common conflict or climax for heroines is kidnappings. I do not mean just for romances. Heroines tend to be threatened personally more often than male heros, who have battles, obstacles, time-limits, or his beloved is threatened. My concern is for readers getting the wrong idea of romance and for more developed storylines for heroines.

Let's look through classic film monsters for women stalked or kidnapped (spoilers):

Frankenstein's Monster: He observes humanity. He stalks the Frankensteins and kills a woman, but for revenge against Dr. Frankenstein.
Dracula: Stalks, kills, and tried/succeeded in kidnapping depending on version.
The Mummy: Stalks and kidnaps.
Swamp Thing: Stalks and kidnaps.
Phantom of the Opera: Stalks and then later kidnaps.
King Kong: She's kidnapped by a tribe as sacrifice. Later Kong kidnaps her.

King Kong 1933

Sidenote: I roll my eyes at the King Kong line, "It was Beauty that killed the Beast." Let's not blame the ones who brought him to the city. That she-devil. Looking sexy in a torn-up dress and screaming to show off those pearly-white teeth. 

Some viewers find the stalking monsters as exciting in the romantic sense. Yes, the monster is drawn strongly to the girl, but no matter the degree of passion it is the antagonist. Yes, the woman is desired, but why must her life be threatened for attraction? Not all passions are romantic.


Those were old examples, but these type of stories still exist. Look at contemporary books of urban fantasy, dark romance, and supernatural romance. How many of them have the heroine stalked, kidnapped, in danger of rape, and/or forced to date/marry?

Another book I read for my Beauty & the Beast research was The Hollow Kingdom (2006) (some spoilers). It is divided into 3 sections. The first section has stalking and kidnapping.

Me: I like that this book shows kidnapping as bad.
Sis: Kidnapping is bad.
Me: I know kidnapping is bad.
Sis: I'm glaad you do.
Me: I mean they don't make it romantic. Like some books do. It justifies the kidnapping, but it's still bad.
Sis: They justify it?!
Me: Yeeeah.. but it's shown still as bad. The goblins don't care--which is bad--because they do it to survive. Instead of the author turning the kidnapping around as romantic. It's still bad.

Stalked girl does not look happy.
Does stalking make her more
desirable or pretty?

The heroine sort of changed her situation from being kidnapped by agreeing to it, but she did not want that living arrangement. Her reluctance is still prominent in the story. The kidnapping is showed still as bad by learning how terrifying the situation would have been if she was still a reluctant bride. Her situation is still awkward and sad though.


Eventually, the girl fell for the goblin kidnapper (kind of just happened), , Some reveiwers called it Stockholm Syndrom.


Fortunately, kidnapping is not the only exciting event in the book. The heroine got a chance to prove herself in the third section. I liked the protective charm. In addition, the author turns the arrangement around through changed perspective, which I will cover in another post.


The Hollow Kingdom was still a good example of a new bride's fears in my Beauty & the Beauty research. I recommend having that thought in mind while reading the book. The Merchant's Daughter is the healthier love story.

What do you think of this topic or The Hollow Kingdom?

I saw this image on Facebook just as I finished writing:

Back into the Labyrinth

I heard the Rammstein song "Die Sonne" earlier today and found myself thinking of the 80's movie Labyrinth later on. A humorous fanart idea even popped in my head. I listened to the song again just now and I remembered this fan-made music video (Spoliers! The video follows the whole movie):

The timing of the music and movement is awesome.

Labyrinth is one of my top movies. Then The Fall became my new Labyrinth. However, after today and a few tee designs,  I find myself diving back to Labyrinth. I hope I can make the fanart idea into a shirt as well.

Here's the trailers for both mentioned movies:

Labyrinth (1986)

The Fall (2008)

Done with Poison

This cover shows the long nose bridge
just as described in the book.

I finished Poison by Chris Wooding.

The story is about a girl named Poison who feels alienated in her town even within her family, which now includes a new mother. Her baby sister, Azalea, is one of only two people that Poison is comfortable around. Therefore, when Azalea is kidnapped by the Phaerie Lord, Poison musters courage to leave her home and find Azalea. The result is an enlightening adventure that changes her perspective of the world and her life.

Once I finished the story, I felt satisfaction and uplifted because Poison found her place. =)


WARNING: There are big spoilers towards the end of this post. I will warn you again right before that part.




Throughout the book, the narrator sets up questions for the reader such as:

• Why was Posion's sister taken away?
• What is the significance of the spider Lady's dagger and does it wield a power?
• Who is the Hypotroth?
• How will Poison's story end?

Each answer carries weight in the story.

There were some elements that I have seen before, which happens more as you read more, but the experience did not feel repeated. Now that I think about it, Wooding may have used classic Fantasy elements on purpose. After all, Poison noticed how fairy tales strongly related to her adventure and for a reason!

I agree, Ron.

One of those elements was a giant spider like in
The Incredible Shrinking Man 
(Sci-fi not Fantasy), The Lord of the Rings, and Harry Potter. Outsmarting the spider was still suspenseful with some fun. Poison dreaded the Lady of the spider realm more than the spiders. My only repeated experience was that I was grossed out by a giant spider.

When Poison researches the scarecrow, I remembered Pennywise (from Stephen King's IT) in an album. I reread that particular scene for thrills, but by the next two chapters I forgot the scene. Wooding wisely reminds the reader of it during the scarecrow's reappearance.

As I said before, Katniss' attitude in The Hunger Games reminded of Poison, especially when describing their homes. I felt that Poison was for a younger age range than The Hunger Games until the story took a meta twist. =) Middle schoolers will be spellbound by the concept of meta-fiction and even adults will find it intriguing. As a quick definition, metafiction is a story within a story. A new definition I heard is fiction on the process of fiction because it is a story that covers storywriting. I won't say more. Wooding explained it for you in the story.

One problem I had with the book was that some lines sounded too fantastical. I had to reread them to grasp the action and meaning plus those lines were not necessary. When Poison traveled to new places, I ignored these fantastical lines after the first attempt. Sometimes a writer feels pressured to have clever lines, but the words need to flow with the rest. Otherwise readers lose their trance. Newsweek writer Elmore Leonard has stated, "If it sounds like writing I rewrite it."


The rest of this post mentions big spoilers because the scene discussed is close to the story's end. I will not list all details though.


The day after I finished reading Poison, I remembered a scene that struck me as odd for a hero, especially for young audiences. Throughout Poison's journey, she bluffs and taunts threats. With Aelthar, she tried to tone down her attitude, realizing that it can hurt her chances. But when she was stabbed, Poison did not watch her attitude. Had she not learned? Her life was threatened the most at this moment.  Even if she had felt almighty about her new role, Poison should know that her life was still at risk. She saw what happened to Melcheron.

I questioned if Poison should be considered suicidal at this point because she provoked her stabber to strike again, "'Finish it. The last laugh will be mine.'" I understood she was helpless in this moment and hurt badly, but shouldn't she at least want to live now? She had wanted to die before, but her role is different from that point.

I did enjoy the adventure though. And after the last line, I turned the page to a blank one and felt as if I had just experienced magic because the story actually ended at that line. Haha.

What did you think of Poison? How about that odd moment I mentioned?

Fictional Vacation

I was sick last weekend, and the rainy days felt longer by staying off the computer. The books I ordered had not come yet so I reread Charmed Life by Diana Wynne Jones. I had not read it from my purchased copy yet because I knew I would want to illustrate some scenes. But I needed a good book to distract me from being sick and waiting for Catching Fire (2nd book of Hunger Games) to arrive. So a compromise was made--I bookmarked the good scenes.

Charmed Life is one of my top favorite Fantasy books. The character descriptions and narration inspire me to draw and to write. I have to admit though that I'm also fond of the Chrestomanci character Chrisptoher and desire most to draw him in one of his grey suits. He is a silly, powerful man sort of like Willy Wonka. I cannot fully figured out Christopher, which is probably why he entertains me. Even if he is pretending to take the literal meaning of what children say, Christopher is still funny and charming.

An artist on Deviantart has her own fun with him by illustrating him in a love comedy:

Click HERE for more book fanart by artist chira-chira

What I also like about Charmed Life and the prequel, The Lives of Christopher Chant, are the innocent narrators and the magical realm aside from the parallel worlds. I forget myself and follow the boys through the  mischief and suspense. I was sick at home for the weekend but recovered and returned to the weekdays as if I had came back from a journey. =) I guess these books are my equivalent of the Harry Potter series to some people.




When my books did arrive, I was too hooked on Fantasy and read the prequel too. Luckily I have ordered other Fantasy books, both children and young adult, along with Catching Fire. They are:

Howl's Moving Castle also by Diana Wynne Jones. 

I already read this book as well after watching Mizaki's film adaptation. The two are different but the book answered questions for the movie such as "Why is there a parade in the town?" Plus you understand better why characters say certain things such as Howl eating girls' hearts.

Characters were omitted or combined in the adaptation. And Howl is different too; In the book, he does not come home late from fighting. Nope.



The Tattooed Potato and Other Clues by Ellen Raskin.

I already read it in high school, but at that time I instantly wanted to re-read it. However, it was banned from the library because the second main character's past actions and harsh words about the poor (vaguely remember that part) were  not suitable for children. I was drawn to the personality of that character because he is an eccentric man like Sherlock Holmes.

In addition, there was a scene where the eccentric character opens up. I must have been moved by the interaction because a melody played in my head until finished the scene. The author, Raskin, did a magnificent job of showing, not telling, the character's suppressed feelings during a discussion of a watch and its chime.

And Poison by Chris Wooding. 

For this book, I have read only half of it because of classes at that time. I first picked up this book because her brother is kidnapped by a Phaerie King like the movie Labyrinth. I bought the book because I remember liking the world and I left off at a suspenseful moment. Katniss' attitude actually reminded me of the heroine in Poison.





Catching Fire was the main book I waited for, but I am happy to own the other ones and reread them like Charmed Life. The bad reviews on Amazon for Germ and Maze Runner discouraged me from buying them. I was not sure if I wanted to own a copy and reread it later. However, I will give the two books a try at the library. Do you have any book recommendations based on what I've shared? It does not have to have a love story just characters and worlds to love. =) A good read.

My wonderful fictional vacation has inspired me to return to my own stories-in-progress. Lately I have written new ones for contests or notes for the existing ones. I am even writing on paper no the computer for a strong focus.

What books do you love reread because of its world?