Post Avengers AOU Speculations

Avengers: Age of Ultron did not beat my favorite 3 Marvel Cinema Universe movies (Avengers, Captain America: The Winter Soldier, and Guardians of the Galaxy). But the movie did leave me with more questions. Most of them center around the future for specific characters.

There will be spoilers discussed from Marvel movies and comics. To push the bigger spoilers further down, I will name my 3 favorite characters from Avengers: Age of Ultron:

1. Vision. He was perfect!! His look, the way he carried himself, his voice, and his manner. I don't just mean as an adaptation from the comics. He was very captivating.
2. Hawkeye. We got to see more of the character, and he's pretty funny. I like that he prepared himself for any future brainwashing. He interacted with the other characters well too. I like that Hawkeye and Black Widow stick together in the field instead of partnering up with a superhuman for protection. 
3. Ultron. I like that he sometimes echoed Tony Stark and they had a kind of father and son relationship. My favorite parts are when he seemed more human. Like when he pleaded with Wanda to not fight against him. That moment touched me. He did not lash out in anger for her betrayal. He seemed to still have a bond with her. Not a romantic one, but a comrade one.

And now, here are my questions and speculations for what may happen in the Marvel Cinema Universe: 

Ultron

Ultron was the process of uploading himself into the artificially made body. The Avengers interrupt him from reaching 100%, but some of his consciousness still uploaded into the body, right? Scarlet saw Ultron's plan through the artificial mind, and Vision knew how to limit Ultron.

In the comics, Ultron is destroyed but always comes back in an improved body. One time, Ultron overrides or hacks Vision's body and forces him to build Ultron a new body. So even though the last Ultron robot was destroyed, Ultron could come back through Vision. Where is there room for this comeback in the Marvel Cinema Universe? Maybe Vision will have an inner conflict during a bigger storyline.

Maybe that subtle bond between Ultron and Wanda I mentioned before is the base point for Vision and Wanda? Or maybe she will be spooked to find Ultron's influence in Vision.

Hulk

When will he return? Will he have returned from Planet Hulk (a harsh comic storyline)? Will Hulk and Black Widow get another chance, or will she meet someone else during his absence? I would like to see more of this relationship because it barely began and does not exist in the comics.

Wanda (Scarlet Witch)

When the credits appeared, it hit me that Pietro did die. I was surprised because I was expecting him to connect with the Inhumans in the future. I still have hopes that he will return somehow or at least be a big influence on his sister, Wanda. In the comics, Wanda can manipulate probability. Eventually, she can even alter reality. Will she be tempted to use her powers to bring back her brother like Full-metal Alchemist? Or will a villain like Thanos promise to bring back her brother in order to recruit her? The second question is not based on a comic event. I thought of it because it could fit with Thanos' quest for the Infinity Gauntlet.



Who were your favorite characters, or whose future are you most interested in seeing?

How Have the Tables Turned?

"For A Change" by Teo Zirinis

I wrote a blog post before called The Monster & the Victim about how monsters and women (the victims) were portrayed in posters for The Creature From the Black Lagoon. Artist Teo Zirinis has this monster shirt design up for vote on Threadless. The words at the bottom say, "The tables have turned!" I took a closer look to see how the horror poster has changed.

Teo Zirinis flips the poses of monster and victim, but is "The Hot Woman" a victor and against who? 

The woman in the monster's pose visually gives her power over him, but did she defeat the monster? Going by old horror posters, she should be a threat to the monster.

The Curse of the Werewolf from 1961

Because she looks docile and dainty, juxtaposition and comedy results in the consideration that she defeated the monster. The artist probably gave her closed eyes to reflect the kidnapped women in horror posters who are usually drawn as having fainted or screaming. She has no signs of harm on her body or clothes so "The Hot Woman" is no longer a victim of violence. However, she also lacks signs of a fighter so she is not a producer of violence either. The poses, but not the roles, have been switched. 

Interestingly, she does not look pleased to be the one still standing and conscious. Her closed eyes make her look sad.  Does she mourn the monster's rampage which is now over or can she not bear to see the monster's defeated body? She is still portrayed as sexy, which leaves room for attraction.

Close-up of  the figures.

The title says she "Carried" the monster not "Defeated," "Destroyed," or "Killed." You cannot defeat someone by carrying them. The worst you could do is injure the person's pride. The act of carrying someone shows strength, compassion, and affection. She looks more like his savior by gently carrying the monster above the sharp trees pointed at his body. With this train of thought, the title reads more as "The Hot Woman Who Loved the Monster." Maybe she had enough of the violence from both sides.

Another way she is no longer the victim is by consenting to be in the monster's presence. She is not there by force or by accident. The monster is unconscious or dead so we cannot tell what he wants. We just assume he is like the usual monster who comes into our society and finds attraction in female humans. Usually in werewolf movies, the cursed man bonds with a woman before he becomes a monster. Most of the time, the woman does not reject the cursed man after his transformation. Okay, now it definitely sounds like Beauty & the Beast!

It is questionable if this horror poster woman has become a victor or hero. We do not know if she "Carried" the monster because she defeated him or saved him after someone else defeated him. On a poster, she has not stepped up to a contributing role yet. In the title she is labeled as sex appeal.

What do you think? Do not forget to vote for the shirt design at Threadless! If the shirt is printed, I hope it leads to conversations over horror poster portrayals.

The Best Story Structure

One of my favorite teachers advised to make character development the structure instead of following structure formulas. By page blah blah blah have an explosion.

The class was for screen adaptation, but the advice applies to any story. =) I improved the beginning of a story by working on the characters' journeys and goals.

Another screenwriting teacher did not believe in writer's block. She suggested to check if you strayed from the story's path at one point. Perhaps you put in a scene for its own purpose instead of the whole story's purpose. Sometimes you have to let go moments or lines. Save the draft though because you could try using that scene in another story.

Screenwriter Nicholas Meyer wanted to express his dislike of punk rock music through the time-traveling hero in Time After Time. Meyer had to omit the scene, but he rewrote it in Star Trek IV: The Voyage Home. I found the well-known scene, but the song was changed:

I'm with the Mockingjay

I heard some readers felt emotionally-drained from Mockingjay, the 3rd book of The Hunger Games. I enjoyed it because it had concepts similar to Nineteen Eighty-Four. =) Catching Fire was the emotionally-draining book for me. I felt that Katniss was weighed down by her worries.

There's some spoilers in this post even though I indirectly talk about them.

In the drawing, I wrote vague terms for what I thought were Katniss' main worries in each book before the games. I added trees because nature is her relief. With each book, she is more cut off from it. Dystopic societies usually cut people off from nature or see it as too wild.

Also this series shows nature used as and altered into a weapon. However, nature continues to live as if independent from the story's events. Man suffers and struggles to survive because of man.

I have a drawing tablet now.
I'll try quick sketches to illustrate points.

 In The Hunger Games, Katniss was a survivor but she was numb. Her main focus and devotion was her family's survival.

At this point, she doesn't know that other districts suffer just as bad or worse. Her own district has had worse days, which the adults recall.

In Catching Fire, she should no longer have to worry about her family, but Snow proves that fact wrong and adds more worries to her list. Katniss fears even her own actions and the interpretations of her actions because of consequences.

For fans of the love story/love drama, the second book seems to be their favorite.

I feel that Katniss had the most spirit in Mockingjay. She rebelled at almost every moment. She wants to be more informed on situations. She acts more than fearing on acting. Because of this strong spirit, I was not shocked at her move during the peace ceremony.

I had hoped for that move because the leaders fit George Orwell's attitude in  Nineteen Eighty-Four  that all parties are the same. The people still had to trust a leader blindly. Some people still feared for their lives. Daily life was controlled by the leader. The rebel society still lacked humanity. In the final conference, Katniss states that things are still the same.

I could not think of a right replacement for Snow, but when author Suzanne Collins showed the final leader, I agreed strongly with the choice. That person had showed interest in the people and had suffered from the Capitol.

Mockingjay is perfect...if you expect a dystopia. The first book had the dystopic setup, but was told as an adventure thriller. The second book is the transition to dystopic. Mockingjay is the dystopia of the series. I felt that Collins held back themes and attitudes in the other books. Mockingjay explains the society such as the careers in the games. This book may be my favorite of the three because of these reasons. The first book is still a great example to me of constant conflicts and the audience's influence.

I say perfect, but the book is not flawless.

The reader may get confused when the pace is too fast for storytelling near the end, but you are put in Katniss' position. You feel the rushed moment as she does.

The ending is short and quick, but I am fine with that. Although I read the book over a week instead of a few days like some readers, I needed the story to end already. You feel burnt up by the events and need relief from the tension. I recommend stopping once in a while because of the numerous events and their impact.

If you have not read  Nineteen Eighty-Four, then I recommend doing so including the prologue or section about George Orwell. I was just told that the districts and Capitol in The Hunger Games are similar to Brave New World. I bought a copy, but I'm taking a break again from dystopias.

Impact on a Child

I thought the following chinese proverb from my daily planner was worth sharing.
"A child's life is like a piece of paper on which every person leaves a mark."

There are humorous villains who cry about the toy he didn't get or not being hugged enough.  However, the quote applies to everyone as the influence and as the one influenced.


Here are three villain examples with an impacting childhood moment anyway:

Gru from Despicable Me,

Ego the critic from Ratatouille (Spoliler),

And Megamind.

Megamind at the top.
Metroman at the bottom.

The last two are cast into the roles of villain and hero according to looks and homes.

Can you think of an example? It does not have to be a villain or from a movie.

Done with Poison

This cover shows the long nose bridge
just as described in the book.

I finished Poison by Chris Wooding.

The story is about a girl named Poison who feels alienated in her town even within her family, which now includes a new mother. Her baby sister, Azalea, is one of only two people that Poison is comfortable around. Therefore, when Azalea is kidnapped by the Phaerie Lord, Poison musters courage to leave her home and find Azalea. The result is an enlightening adventure that changes her perspective of the world and her life.

Once I finished the story, I felt satisfaction and uplifted because Poison found her place. =)


WARNING: There are big spoilers towards the end of this post. I will warn you again right before that part.




Throughout the book, the narrator sets up questions for the reader such as:

• Why was Posion's sister taken away?
• What is the significance of the spider Lady's dagger and does it wield a power?
• Who is the Hypotroth?
• How will Poison's story end?

Each answer carries weight in the story.

There were some elements that I have seen before, which happens more as you read more, but the experience did not feel repeated. Now that I think about it, Wooding may have used classic Fantasy elements on purpose. After all, Poison noticed how fairy tales strongly related to her adventure and for a reason!

I agree, Ron.

One of those elements was a giant spider like in
The Incredible Shrinking Man 
(Sci-fi not Fantasy), The Lord of the Rings, and Harry Potter. Outsmarting the spider was still suspenseful with some fun. Poison dreaded the Lady of the spider realm more than the spiders. My only repeated experience was that I was grossed out by a giant spider.

When Poison researches the scarecrow, I remembered Pennywise (from Stephen King's IT) in an album. I reread that particular scene for thrills, but by the next two chapters I forgot the scene. Wooding wisely reminds the reader of it during the scarecrow's reappearance.

As I said before, Katniss' attitude in The Hunger Games reminded of Poison, especially when describing their homes. I felt that Poison was for a younger age range than The Hunger Games until the story took a meta twist. =) Middle schoolers will be spellbound by the concept of meta-fiction and even adults will find it intriguing. As a quick definition, metafiction is a story within a story. A new definition I heard is fiction on the process of fiction because it is a story that covers storywriting. I won't say more. Wooding explained it for you in the story.

One problem I had with the book was that some lines sounded too fantastical. I had to reread them to grasp the action and meaning plus those lines were not necessary. When Poison traveled to new places, I ignored these fantastical lines after the first attempt. Sometimes a writer feels pressured to have clever lines, but the words need to flow with the rest. Otherwise readers lose their trance. Newsweek writer Elmore Leonard has stated, "If it sounds like writing I rewrite it."


The rest of this post mentions big spoilers because the scene discussed is close to the story's end. I will not list all details though.


The day after I finished reading Poison, I remembered a scene that struck me as odd for a hero, especially for young audiences. Throughout Poison's journey, she bluffs and taunts threats. With Aelthar, she tried to tone down her attitude, realizing that it can hurt her chances. But when she was stabbed, Poison did not watch her attitude. Had she not learned? Her life was threatened the most at this moment.  Even if she had felt almighty about her new role, Poison should know that her life was still at risk. She saw what happened to Melcheron.

I questioned if Poison should be considered suicidal at this point because she provoked her stabber to strike again, "'Finish it. The last laugh will be mine.'" I understood she was helpless in this moment and hurt badly, but shouldn't she at least want to live now? She had wanted to die before, but her role is different from that point.

I did enjoy the adventure though. And after the last line, I turned the page to a blank one and felt as if I had just experienced magic because the story actually ended at that line. Haha.

What did you think of Poison? How about that odd moment I mentioned?

Finished The Hunger Games

I finished the first book of The Hunger Games last week.  It has a dystopic setting, but the story's told as an action adventure. I recommend the book for both readers and writers. =)

In my second story-writing class, I needed more conflicts for the character. The Hunger Games constantly has conflict, which keeps the story going and gives the character Katniss many decisions to make. The book is now an example for me.

I started reading one chapter at a time until some point in the game. I was then reading three chapters at a time. One day as I cleaned my room, I read a section after each time I put something away. I read even before an interview.

When I had three chapters left, I rationed them again. Willy Wonka's reaction to Augustus Gloop's situation is a great way to describe the thrill of reading The Hunger Games:

"The suspense is terrible. I hope it'll last." 

(The line is originally from 30,000 Leagues Under the Sea).

Here's an interesting passage from chapter 13 (Small SPOILER):

Where are the Gamermakers driving me? ...To a whole new terrain filled with new dangers? I had just found a few hours of peace at the pond when this attack happened. ...The wall of fire must have an end and it won't burn indefinitely.  Not because the Gamemakers couldn't keep it fueled but because, again, that would invite accusations of boredom from the audience.

Think of a Gamermaker as a writer and the audience as the story's actual audience (Meta!). Katniss is then questioning the writer's direction. Readers would have been bored if Katniss got to rest a whole day at this moment. They want the story to keep moving.

She's also alone at that moment so just like the Gamemakers, both writer and reader want her to interact with the other characters.  We feel sorry for her pain but back to danger and love! I'm curious if the author, Suzanne Collins, intended to draw attention to the reader's self by mentioning an audience. How much pain and drama did you wish upon Katniss and Peeta?

The quoted section also shows writers that they drive their characters into an adventure. Give them opportunities to make decisions and grow. Character growth gives your readers more than suspense and entertainment.

In addition, writers have to push their characters around to view more of the setting and society. Like pushing a cameraman around.  You push to capture more, but the character or narrator is the one recording details.

How was the suspense for you?

Sadly Stories Have Endings

I just finished the second season of the TV show Community. The two part episode was a thrill to watch; I laughed, ooohed, and awwwed. However, the departure of a character made the season finale sad to accept. Thankfully the show's not over yet, but will more characters leave? =( Abed got cooler in season 2. Character growth is an amazing thing to witness.

Community: A Fistful of Paintballs

Another show I'm currently into is Lie To Me. I got into it late, and sadly, the show is canceled.  So I have just one more season to watch. Once I am done with Community and Lie to Me, will I find a show to love as much?

As for comics, I have not read past issue 1 of The Unwritten.  The first issue had so much material, and I enjoyed it on its own. I am afraid to continue though perhaps because of expectations and maybe because then I will finish the series. I really should read issue 2  though. The series is around 27 issues now.

Issue #2

During one summer in high school, I read 3 books (2 of them were The Blue Sword by Robin McKinely and one from the Ender's Game series by Orson Scott Card) that were each around 300 pages. When I got towards the end of each one, I stopped and started the next book. Eventually I had 3 unfinished books so I read the endings to all three.  The stories were then complete but I still had wished that some of the books were 500 pages.

Have you felt the same way about a story? I am sure people do with series (shows and books).  I do not always finish series. What do you do to deal with the need for more? Do you re-watch the series with the knowledge of future events and character development? I will do the same for Community. Also, I hope to catch the show panel at the SD Comic Con. =)

For some shows like Avatar: The Last Airbender, I get a full sense of completeness and cannot re-watch the series immediately. Years have to pass so that I remember less.