The Monster & the Victim

This year I started using Pinterest for project references. For parody posters and a story, I have a board for Old Horror Posters. Sometimes I found that the Italian posters focused more on the horror than sex appeal. I wanted to talk about images for Creature From the Black Lagoon (Movies from the 50s had longer titles).

First, here's the trailer: 

One of my screenwriter instructors said that a common theme for old horror movies was the monster trying to be human. One way was to impregnate a female human so that its offspring will be more human. In Creature From the Black Lagoon, fish evolved to a stage where it thinks itself compatible for our women. We are divided as us and them, but they want to be more like us. I'm sure you can think of more movies with those lines of thoughts and outside of monsters.

Back to movie posters

It has claimed her as its mate.
You may be next!

I'm not sure if the image on the right is an official movie poster, but let's start off with it. I like the scene and close-up, but also how much the image evokes is why it is my favorite representation for Creature From the Black Lagoon. :)

For example, the water level reminds us of the dividing line between monster and human and between danger (monster's territory) and safety (our territory). The high water level could show how the monster is spilling onto our side. Another interpretation could be the far distance the monster came from and the distance the hero will have to travel to rescue the victim. The swimmers seem to still search for both monster and victim.

In old horror posters, kidnapped women are either screaming or asleep, the damsel's version of fight or flight. Unconsciousness makes them helpless in the situation.

Another one of my professors commented on how sleeping or dead females in media are portrayed as attractive because they are most docile in those states. We discussed fairy tales and Orphelia in Shakespeare's MacBeth.

Disney's Sleeping Beauty

Most sleeping beauties are in wait for their prince and first kiss. Thus, the horror when they wake to find a monster grabbing at them instead. Some females faint from the shock, keeping them in that helpless state and continue hoping their prince will come.

Although I could not finish reading Spinning Straw into Gold because of the poor flow and structure, I was impressed with Joan Gould's discussion of sleep as an emotional defense of distance. These women try to escape internally (mind and emotions) while leaving their external (body) in the threat, but they do so in wait for when their internal is ready for the situation. Gould gave a real life testimony as an example.

Now for the Faceless

It wants to save her from
the man and his knife!

The image on the right is the Italian poster for Creature From the Black Lagoon. We cannot see the monster's face, but we see the fear on both human figures. The faceless monster matches the fear of the unknown referenced in the trailer.

However, the man looks threatening too by grabbing the woman with a knife in the same hand. He is no real threat so the purpose is to portray him as the non-princely mate with sex appeal and protection.

The woman is kept awake to face her threats, but we feel a safe distance by having the monster's focus entirely away from us. Still we feel so closely behind that it may hear our footstep. We wait in suspense for when we do come face to face with the threat. 

After the last two posters, I was disappointed when I saw the following image down below. :( I think it is a book cover.

It has brought home the meat.

This time we cannot see the woman's face. When a figure's face is cut off, covered up, or exaggerated like in propaganda, the figure has been dehumanized. We cannot see the woman's identity and emotions, but we have a clear shot of her sexy lower body. She has been reduced to flesh. The viewers see her as the monster does.

There is not much else for our focus. The rest of the image shows the danger of the monster already having her in its hidden lair. The woman in this image is closer to becoming a victim of more than kidnapping. Her potential saviors and her territory are nowhere in sight. Sadly, missing a face makes it harder for us to connect with her. We feel we don't know her. We don't even know if she is unconscious or dead.

Don't you feel more sorry for the screaming face on the DVD cover below?

It has stolen one of our own!

In each image, the woman looks sexy. Sexy enough to even make the monster attractive for finding her desirable. Her reaction on the right shows best that his behavior is unwanted and dangerous. Despite how much he has evolved, his behavior has not progressed enough to be her equal.

I don't always like the role of women in old horror movies, but I find the themes and ad designs interesting. Sometimes it can all be ridiculous enough to laugh. From what I discussed in this blog, women seem to be the measure of danger, humanity, and good breeding. The monster can be found in our species as well.

Done with Poison

This cover shows the long nose bridge
just as described in the book.

I finished Poison by Chris Wooding.

The story is about a girl named Poison who feels alienated in her town even within her family, which now includes a new mother. Her baby sister, Azalea, is one of only two people that Poison is comfortable around. Therefore, when Azalea is kidnapped by the Phaerie Lord, Poison musters courage to leave her home and find Azalea. The result is an enlightening adventure that changes her perspective of the world and her life.

Once I finished the story, I felt satisfaction and uplifted because Poison found her place. =)


WARNING: There are big spoilers towards the end of this post. I will warn you again right before that part.




Throughout the book, the narrator sets up questions for the reader such as:

• Why was Posion's sister taken away?
• What is the significance of the spider Lady's dagger and does it wield a power?
• Who is the Hypotroth?
• How will Poison's story end?

Each answer carries weight in the story.

There were some elements that I have seen before, which happens more as you read more, but the experience did not feel repeated. Now that I think about it, Wooding may have used classic Fantasy elements on purpose. After all, Poison noticed how fairy tales strongly related to her adventure and for a reason!

I agree, Ron.

One of those elements was a giant spider like in
The Incredible Shrinking Man 
(Sci-fi not Fantasy), The Lord of the Rings, and Harry Potter. Outsmarting the spider was still suspenseful with some fun. Poison dreaded the Lady of the spider realm more than the spiders. My only repeated experience was that I was grossed out by a giant spider.

When Poison researches the scarecrow, I remembered Pennywise (from Stephen King's IT) in an album. I reread that particular scene for thrills, but by the next two chapters I forgot the scene. Wooding wisely reminds the reader of it during the scarecrow's reappearance.

As I said before, Katniss' attitude in The Hunger Games reminded of Poison, especially when describing their homes. I felt that Poison was for a younger age range than The Hunger Games until the story took a meta twist. =) Middle schoolers will be spellbound by the concept of meta-fiction and even adults will find it intriguing. As a quick definition, metafiction is a story within a story. A new definition I heard is fiction on the process of fiction because it is a story that covers storywriting. I won't say more. Wooding explained it for you in the story.

One problem I had with the book was that some lines sounded too fantastical. I had to reread them to grasp the action and meaning plus those lines were not necessary. When Poison traveled to new places, I ignored these fantastical lines after the first attempt. Sometimes a writer feels pressured to have clever lines, but the words need to flow with the rest. Otherwise readers lose their trance. Newsweek writer Elmore Leonard has stated, "If it sounds like writing I rewrite it."


The rest of this post mentions big spoilers because the scene discussed is close to the story's end. I will not list all details though.


The day after I finished reading Poison, I remembered a scene that struck me as odd for a hero, especially for young audiences. Throughout Poison's journey, she bluffs and taunts threats. With Aelthar, she tried to tone down her attitude, realizing that it can hurt her chances. But when she was stabbed, Poison did not watch her attitude. Had she not learned? Her life was threatened the most at this moment.  Even if she had felt almighty about her new role, Poison should know that her life was still at risk. She saw what happened to Melcheron.

I questioned if Poison should be considered suicidal at this point because she provoked her stabber to strike again, "'Finish it. The last laugh will be mine.'" I understood she was helpless in this moment and hurt badly, but shouldn't she at least want to live now? She had wanted to die before, but her role is different from that point.

I did enjoy the adventure though. And after the last line, I turned the page to a blank one and felt as if I had just experienced magic because the story actually ended at that line. Haha.

What did you think of Poison? How about that odd moment I mentioned?

Reading Status

I am currently in between books right now.

Last week I finished reading Poison by Chris Wooding. I will talk more about Poison on a separate blog post. For now I will say that I enjoyed the adventure and the twists, but I am unsure of the heroine's attitude near the end.

After watching the movie Scott Pilgrim vs. the World, I started reading the graphic novels by Bryan Lee O'Malley. 

Ramona looks happier
in the books than in
the movie.

From the movie, I felt that the battles with each ex represented a boy's inner struggle when dating a girl on a higher level. He feels insecure about the previous relationships of the girl and hopes she won't see him as below them. So when Scott wins a fight, it can be a victory of self-esteem. 

In both the movie and the graphic novels, I crack up on the video game aspects including the pixelated Universal Studios opening. The graphic novels cover more than Scott's current relationships. I just finished vol. 2. 

One new release that I added to the top of my reading list is I, Robot: To Protect.

From glancing at a copy at the store, I thought someone just retold the story in their own style. However, from Amazon reviews, I saw that the book is a prequel to I, Robot by Isaac Asimov. One review states Dr. Susan Calvin is shown to become as she is in I, Robot. Now I am interested. =)

The other new release I want to read is The Merchant's Daughter by Melanie Dickerson.

A blogger states that she loves the author Dickerson's evil villains and sense of danger in her stories. The Merchant's Daughter is similar to "Beauty and the Beast." This book seems to be about 2 main decisions.

The first decision is to be the lusty bailiff's wife or a disfigured man's temporary servant. You don't have to think too hard on that choice.

Because the heroine is a servant instead of a prisoner or an arranged guest, I think of Jane Eyre by Charlotte Bronte. The second decision reminds me even more of Jane Eyre. The heroine has a spiritual dilemma: the path she chose for herself or God's true calling for her.







And finally, a friend recommended Sarah's Key by Tatiana de Rosnay to me for suspense.

How about you? What are you reading?

The Hunger Games trailer

A short trailer for The Hunger Games was shown at the MTV VMA.

When I read The Hunger Games, I rooted for Katniss and laughed at her remarks and social commentary. Not knowing the next move and the outcome was a thrill. Now that I know the pain she'll go through, seeing it may make me teary.

I wanted more from the trailer, but I'm already affected by hearing Gale's words over the visual of a young girl  trying to survive because of a dystopic punishment and for entertainment sake. What I know added to the trailer make Gale sound to me like he's trying to convince Katniss and even fate of her chance for survival. But he still sounds confident in her.

I'm glad I read the first book before the movie (thanks, sister). I'm also glad I have not read the second one yet because then I can feel the full weight of the ending. =) Save myself some thrill and suspense in the movie.

The anticipation though may win me over. But that's how The Hunger Games book was as well. You say you'll read just one more chapter and stop after three or four chapters instead. Haha.

The Hunger Games comes out in theaters in March. Katniss is played Jennifer Lawrence, who was Mystique in X-men: First Class.

Finished The Hunger Games

I finished the first book of The Hunger Games last week.  It has a dystopic setting, but the story's told as an action adventure. I recommend the book for both readers and writers. =)

In my second story-writing class, I needed more conflicts for the character. The Hunger Games constantly has conflict, which keeps the story going and gives the character Katniss many decisions to make. The book is now an example for me.

I started reading one chapter at a time until some point in the game. I was then reading three chapters at a time. One day as I cleaned my room, I read a section after each time I put something away. I read even before an interview.

When I had three chapters left, I rationed them again. Willy Wonka's reaction to Augustus Gloop's situation is a great way to describe the thrill of reading The Hunger Games:

"The suspense is terrible. I hope it'll last." 

(The line is originally from 30,000 Leagues Under the Sea).

Here's an interesting passage from chapter 13 (Small SPOILER):

Where are the Gamermakers driving me? ...To a whole new terrain filled with new dangers? I had just found a few hours of peace at the pond when this attack happened. ...The wall of fire must have an end and it won't burn indefinitely.  Not because the Gamemakers couldn't keep it fueled but because, again, that would invite accusations of boredom from the audience.

Think of a Gamermaker as a writer and the audience as the story's actual audience (Meta!). Katniss is then questioning the writer's direction. Readers would have been bored if Katniss got to rest a whole day at this moment. They want the story to keep moving.

She's also alone at that moment so just like the Gamemakers, both writer and reader want her to interact with the other characters.  We feel sorry for her pain but back to danger and love! I'm curious if the author, Suzanne Collins, intended to draw attention to the reader's self by mentioning an audience. How much pain and drama did you wish upon Katniss and Peeta?

The quoted section also shows writers that they drive their characters into an adventure. Give them opportunities to make decisions and grow. Character growth gives your readers more than suspense and entertainment.

In addition, writers have to push their characters around to view more of the setting and society. Like pushing a cameraman around.  You push to capture more, but the character or narrator is the one recording details.

How was the suspense for you?

Peeta Will Bake You Pies

Figment highlighted this The Hunger Games parody of Britteny Spear's "I Wanna Go." The video is hilarious if you've read the book to get lines like "I'm on fire." The song is also catchy.

I'm on Part 3 of the first book by the way. It's suspenseful with vague chapter cliff hangers and constant conflict. I want to read more than one chapter at a time now.

"I'll baake you piess~"

Pausing One Dystopia For Another

My younger sister talks about the movie adaptation for The Hunger Games by Susan Collins in March 2011. Even my mom has read the series already. Haha. Thus, I bumped the first book higher on my reading list and have even stopped reading  Nineteen Eighty-Four  by George Orwell.  (I may have spoilers in this post!)

 Nineteen Eighty-Four has been a slow read for me, especially because I note elements of dystopic societies such as systems and rules. Here is my book with color-coded sticky notes (I barely passed the half-point):

I wrote on only a few sticky notes. The rest just mark passages.


The Hunger Games has been a faster read, which makes this book better than Nineteen Eighty-Four  for young adults. Sometimes Nineteen Eighty-Four  has long passages about regulations that are close to a manual.

I'm glad I read past chapter 2 before I wrote this post. I'm on Chapter 6, and I have placed 4 sticky notes (I limit myself because the book is my younger sister's).

At first I noticed how the main character, Katniss, is not as blind as many dystopic protagonists. She disagrees with her society and knows how little the government cares for people in her district. Winston in Nineteen Eighty-Four is the same way, but Katniss' attitude is stronger. Then I felt that she knew too much, especially for an adolescent.  Also twice already a moment was explained instantly instead of letting the read figure it out.

However, when Katniss changes her mind about Peeta's motives, I saw that she is confident in her view of things (The reader gets to interpret!)  This quality makes her seem more dystopic and adolescent to me. She may be blind about some facts after all.

The Hunger Games does differ from other dystopias by starting the story after a rebellion. Society has already stood against the government, and the people now face the consequences of their failure. The oppressed life has become more harsh for all common folk.

In addition, Katniss is in the same position as Julia in Nineteen Eighty-Four but the attitude and situation differ.  Julia represents the generation born into the dystopic world. She has grown up oppressed and cannot imagine a world without the current government. She breaks rules for fun. However, she is shown through Winston's eyes who has memories prior to the dystopic world.

As for Katniss' world, the adults who remember the failed rebellion seem to have broken spirits. The generation of Katniss may be broken as well from the consequences and conditions. However, survival is more at stake. Thee will to survive and refusal to accept imposed ways show potential and hope.

Suzanne Collins does a terrific job of keeping her readers in anticipation. I long for answers to my questions such as, "Once tributes enter the game, are they stuck in there until the game's over?" (I think I know the answer already but I have to see the answer. Haha). I try to read whole chapters at a time to pass the suspense of just that moment.

Who has read or is reading The Hunger Games? Please do not say anything pass the training center though. I long to see my questions answered.

Do you mark passages outside of school?