How Have the Tables Turned?

"For A Change" by Teo Zirinis

I wrote a blog post before called The Monster & the Victim about how monsters and women (the victims) were portrayed in posters for The Creature From the Black Lagoon. Artist Teo Zirinis has this monster shirt design up for vote on Threadless. The words at the bottom say, "The tables have turned!" I took a closer look to see how the horror poster has changed.

Teo Zirinis flips the poses of monster and victim, but is "The Hot Woman" a victor and against who? 

The woman in the monster's pose visually gives her power over him, but did she defeat the monster? Going by old horror posters, she should be a threat to the monster.

The Curse of the Werewolf from 1961

Because she looks docile and dainty, juxtaposition and comedy results in the consideration that she defeated the monster. The artist probably gave her closed eyes to reflect the kidnapped women in horror posters who are usually drawn as having fainted or screaming. She has no signs of harm on her body or clothes so "The Hot Woman" is no longer a victim of violence. However, she also lacks signs of a fighter so she is not a producer of violence either. The poses, but not the roles, have been switched. 

Interestingly, she does not look pleased to be the one still standing and conscious. Her closed eyes make her look sad.  Does she mourn the monster's rampage which is now over or can she not bear to see the monster's defeated body? She is still portrayed as sexy, which leaves room for attraction.

Close-up of  the figures.

The title says she "Carried" the monster not "Defeated," "Destroyed," or "Killed." You cannot defeat someone by carrying them. The worst you could do is injure the person's pride. The act of carrying someone shows strength, compassion, and affection. She looks more like his savior by gently carrying the monster above the sharp trees pointed at his body. With this train of thought, the title reads more as "The Hot Woman Who Loved the Monster." Maybe she had enough of the violence from both sides.

Another way she is no longer the victim is by consenting to be in the monster's presence. She is not there by force or by accident. The monster is unconscious or dead so we cannot tell what he wants. We just assume he is like the usual monster who comes into our society and finds attraction in female humans. Usually in werewolf movies, the cursed man bonds with a woman before he becomes a monster. Most of the time, the woman does not reject the cursed man after his transformation. Okay, now it definitely sounds like Beauty & the Beast!

It is questionable if this horror poster woman has become a victor or hero. We do not know if she "Carried" the monster because she defeated him or saved him after someone else defeated him. On a poster, she has not stepped up to a contributing role yet. In the title she is labeled as sex appeal.

What do you think? Do not forget to vote for the shirt design at Threadless! If the shirt is printed, I hope it leads to conversations over horror poster portrayals.

Disney Princesses Redrawn

"Snow White" by Chad Sommers

I found a great art book at the library called The Art of the Disney Princess. The Disney Princesses were redrawn in different medias including digital art. My favorite images are the simplistic ones, especially if they require a longer glance for meaning.

The book cover itself is breath-taking. Can you see the hidden image on the right? Artist Chad Sommers said he was inspired by Salvador Dali's surrealist art.

"Snow White" by Eli Trinh

I have to share the Snow White piece down below because it goes with my post The Monster and The Victim on how dead or sleeping woman are depicted as beautiful. At first glance, you think Snow White is standing up, but Eli Trinh must have drawn Snow White when she's unconscious/dead from the poisoned apple. The frame then represents the glass case she is placed in for all to view.


I recommend this book to artists and Disney Princess fans. I'm going to buy my own copy. :D The images will be inspirational for my horror poster parody project and even shirt design.

In fact, the last image I'll show is a Sleeping Beauty one that looks a bit like a horror poster.

Here is Eric Tan's "Sleeping Beauty." I like how the hair looks like fire. :)

And here are 2 old horror posters from my Pinterest board. 

Eric Tan made poster-styled art for other Disney Princesses too.

The Monster & the Victim

This year I started using Pinterest for project references. For parody posters and a story, I have a board for Old Horror Posters. Sometimes I found that the Italian posters focused more on the horror than sex appeal. I wanted to talk about images for Creature From the Black Lagoon (Movies from the 50s had longer titles).

First, here's the trailer: 

One of my screenwriter instructors said that a common theme for old horror movies was the monster trying to be human. One way was to impregnate a female human so that its offspring will be more human. In Creature From the Black Lagoon, fish evolved to a stage where it thinks itself compatible for our women. We are divided as us and them, but they want to be more like us. I'm sure you can think of more movies with those lines of thoughts and outside of monsters.

Back to movie posters

It has claimed her as its mate.
You may be next!

I'm not sure if the image on the right is an official movie poster, but let's start off with it. I like the scene and close-up, but also how much the image evokes is why it is my favorite representation for Creature From the Black Lagoon. :)

For example, the water level reminds us of the dividing line between monster and human and between danger (monster's territory) and safety (our territory). The high water level could show how the monster is spilling onto our side. Another interpretation could be the far distance the monster came from and the distance the hero will have to travel to rescue the victim. The swimmers seem to still search for both monster and victim.

In old horror posters, kidnapped women are either screaming or asleep, the damsel's version of fight or flight. Unconsciousness makes them helpless in the situation.

Another one of my professors commented on how sleeping or dead females in media are portrayed as attractive because they are most docile in those states. We discussed fairy tales and Orphelia in Shakespeare's MacBeth.

Disney's Sleeping Beauty

Most sleeping beauties are in wait for their prince and first kiss. Thus, the horror when they wake to find a monster grabbing at them instead. Some females faint from the shock, keeping them in that helpless state and continue hoping their prince will come.

Although I could not finish reading Spinning Straw into Gold because of the poor flow and structure, I was impressed with Joan Gould's discussion of sleep as an emotional defense of distance. These women try to escape internally (mind and emotions) while leaving their external (body) in the threat, but they do so in wait for when their internal is ready for the situation. Gould gave a real life testimony as an example.

Now for the Faceless

It wants to save her from
the man and his knife!

The image on the right is the Italian poster for Creature From the Black Lagoon. We cannot see the monster's face, but we see the fear on both human figures. The faceless monster matches the fear of the unknown referenced in the trailer.

However, the man looks threatening too by grabbing the woman with a knife in the same hand. He is no real threat so the purpose is to portray him as the non-princely mate with sex appeal and protection.

The woman is kept awake to face her threats, but we feel a safe distance by having the monster's focus entirely away from us. Still we feel so closely behind that it may hear our footstep. We wait in suspense for when we do come face to face with the threat. 

After the last two posters, I was disappointed when I saw the following image down below. :( I think it is a book cover.

It has brought home the meat.

This time we cannot see the woman's face. When a figure's face is cut off, covered up, or exaggerated like in propaganda, the figure has been dehumanized. We cannot see the woman's identity and emotions, but we have a clear shot of her sexy lower body. She has been reduced to flesh. The viewers see her as the monster does.

There is not much else for our focus. The rest of the image shows the danger of the monster already having her in its hidden lair. The woman in this image is closer to becoming a victim of more than kidnapping. Her potential saviors and her territory are nowhere in sight. Sadly, missing a face makes it harder for us to connect with her. We feel we don't know her. We don't even know if she is unconscious or dead.

Don't you feel more sorry for the screaming face on the DVD cover below?

It has stolen one of our own!

In each image, the woman looks sexy. Sexy enough to even make the monster attractive for finding her desirable. Her reaction on the right shows best that his behavior is unwanted and dangerous. Despite how much he has evolved, his behavior has not progressed enough to be her equal.

I don't always like the role of women in old horror movies, but I find the themes and ad designs interesting. Sometimes it can all be ridiculous enough to laugh. From what I discussed in this blog, women seem to be the measure of danger, humanity, and good breeding. The monster can be found in our species as well.

The Hunger Games Cast Photos

I found cast pictures for the Hunger Games tributes (the game candidates). Here's a sunny, full-body shot. Note: Not all boys and girls are matched up by districts.

Click here for Vanity Fair's article with bios and character role tags to the cast photo. 

I thought the 1st girl was Foxface, but that actress will carry Clove's attitude. Gale looks too old. I do like the casting for Katniss, Peeta, Glimmer, and Cato. Rue was my favorite tribute so seeing her different than I imagined left me just accepting it, but the girl carries the right personality too. =) This shot though is of the actors not them as the characters so we can't judge too much by appearance. Their acting is what matters anyways!

I like these character movie posters, especially Haymitch and Effie:

By the way, I can't wait to read Catching Fire after the movie so I ordered it and will read it soon. I got the hardcover for $10 on Amazon! The next post will cover the other books I bought.