How Have the Tables Turned?

"For A Change" by Teo Zirinis

I wrote a blog post before called The Monster & the Victim about how monsters and women (the victims) were portrayed in posters for The Creature From the Black Lagoon. Artist Teo Zirinis has this monster shirt design up for vote on Threadless. The words at the bottom say, "The tables have turned!" I took a closer look to see how the horror poster has changed.

Teo Zirinis flips the poses of monster and victim, but is "The Hot Woman" a victor and against who? 

The woman in the monster's pose visually gives her power over him, but did she defeat the monster? Going by old horror posters, she should be a threat to the monster.

The Curse of the Werewolf from 1961

Because she looks docile and dainty, juxtaposition and comedy results in the consideration that she defeated the monster. The artist probably gave her closed eyes to reflect the kidnapped women in horror posters who are usually drawn as having fainted or screaming. She has no signs of harm on her body or clothes so "The Hot Woman" is no longer a victim of violence. However, she also lacks signs of a fighter so she is not a producer of violence either. The poses, but not the roles, have been switched. 

Interestingly, she does not look pleased to be the one still standing and conscious. Her closed eyes make her look sad.  Does she mourn the monster's rampage which is now over or can she not bear to see the monster's defeated body? She is still portrayed as sexy, which leaves room for attraction.

Close-up of  the figures.

The title says she "Carried" the monster not "Defeated," "Destroyed," or "Killed." You cannot defeat someone by carrying them. The worst you could do is injure the person's pride. The act of carrying someone shows strength, compassion, and affection. She looks more like his savior by gently carrying the monster above the sharp trees pointed at his body. With this train of thought, the title reads more as "The Hot Woman Who Loved the Monster." Maybe she had enough of the violence from both sides.

Another way she is no longer the victim is by consenting to be in the monster's presence. She is not there by force or by accident. The monster is unconscious or dead so we cannot tell what he wants. We just assume he is like the usual monster who comes into our society and finds attraction in female humans. Usually in werewolf movies, the cursed man bonds with a woman before he becomes a monster. Most of the time, the woman does not reject the cursed man after his transformation. Okay, now it definitely sounds like Beauty & the Beast!

It is questionable if this horror poster woman has become a victor or hero. We do not know if she "Carried" the monster because she defeated him or saved him after someone else defeated him. On a poster, she has not stepped up to a contributing role yet. In the title she is labeled as sex appeal.

What do you think? Do not forget to vote for the shirt design at Threadless! If the shirt is printed, I hope it leads to conversations over horror poster portrayals.

Maleficent

I started entering ShirtWoot!'s weekly derby contest for shirt designs. For the theme text-as-art, I drew Maleficent from Disney's Sleeping Beauty:

If you're a ShirtWoot customer,
then you can vote for my entry "Beware."

I find female villains in fairy tales interesting especially if they are not the evil (step)mother. Evil mothers feel threatened by their daugther's outshining youth. The less wrinkled face reminds the evil mother that she is closer to then end of her life. Evil female authority feel just as threatened by young princesses.

In the fairy tales, Maleficent's character is not invited to the new princess' introduction either because she was old and forgotten or the king didn't have enough matching plates. This sorceress is insulted not because she cared to see the princess, but because Maleficent's existence was not acknowledged for the future the princess represents. If she was forgotten while she lived, then she will be forgotten when she is gone. If she has no place in the kingdom's new reign, then get rid of it by killing off the princess. Or at least be remembered longer for trying to do so.

A poem by Dylan Thomas comes to mind:

Do not go gentle into that good night,

Old age should burn and rave at close of day;

Rage, rage against the dying of the light.

Though wise men at their end know dark is right,

Because their words had forked no lightning they

Do not go gentle into that good night.

Good men, the last wave by, crying how bright

Their frail deeds might have danced in a green bay,

Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,

And learn, too late, they grieved it on its way,

Do not go gentle into that good night.

Grave men, near death, who see with blinding sight

Blind eyes could blaze like meteors and be gay,

Rage, rage against the dying of the light.

And you, my father, there on the sad height,

Curse, bless, me now with your fierce tears, I pray.

Do not go gentle into that good night.

Rage, rage against the dying of the light.